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DaVinci Resolve MCP: Edit Your Timeline by Asking

A DaVinci Resolve MCP is a connector that lets an AI app work inside your real Resolve timeline. With Filmit MCP connected, you ask Claude or ChatGPT for an edit in plain words, and it reads your timeline, makes the change in the project you have open, and can look at a frame to check its work.

This guide covers what it can do in DaVinci Resolve Studio, the six jobs from the video below done by hand and done by asking, how to connect it, and where Resolve itself draws the line.

Watch: six timeline jobs in DaVinci Resolve, done by asking

What does an MCP do in DaVinci Resolve?

MCP, the Model Context Protocol, is the open standard AI apps use to connect to other software. A connector gives the AI a list of named actions. Filmit MCP is that connector for Resolve, and it runs through Filmit Studio, which opens in Resolve under Workspace, Workflow Integrations. There are 22 Resolve actions:

✓
Read the project

Media Pool bins and items, every timeline, every track, clip and marker, and one clip’s Inspector values.

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Organize

Import files, make bins, create, duplicate and open timelines, including a vertical copy.

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Edit

Place and remove clips, cut a section out into a fresh timeline, turn clips off and on, set clip colours.

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Frame and finish

Zoom, position, rotation, crop, opacity and composite mode, markers, Text+ titles, and exporting EDL, FCPXML or OTIO.

✓
Check

Render a frame so the AI can see the result and fix what looks off.

Your media stays on your computer. The AI sees names, tracks, timings and markers, and a still frame only when it asks for one.

The six jobs in the video, by hand

Everything in the film is something you can do in Resolve yourself, and it is worth knowing how:

Cut out a bad take

Right-click the timeline in the Media Pool and duplicate it as a backup. Then blade the start and end of the take at the playhead (Ctrl+B, Cmd+B on Mac), select the piece and use Edit, Ripple Delete.

Colour code interviews and B-roll

Select the interview clips, right-click, and pick a Clip Color. Repeat for the B-roll.

Mark the long clips

Scrub the timeline, park on every clip that runs longer than five seconds, and press M for a marker. Resolve has no "select by length", so this one is by eye.

Add an opening title

Drag a Text+ title from the Effects Library onto a track above the first shot and type into it in the Inspector.

Punch in on a long answer

Select the clip and raise Zoom in the Inspector’s Transform section.

Make a vertical copy

Duplicate the timeline, open its Timeline Settings, untick Use Project Settings and set 1080 x 1920. Then zoom and reposition every clip to fill the frame.

On a short timeline that is a pleasant half hour. On a long interview with dozens of clips, the colour coding, the markers and the vertical reframing are the parts that drag, and they are exactly the parts an assistant can do from one sentence.

The same six jobs, by asking

Here is what the video shows, in order. Each line is one request.

"Cut out the bad take"

Claude cuts that section out into a new timeline and keeps your original safe.

"Colour code the interviews and the B-roll"

It reads every clip and colours the interviews and the B-roll differently in one pass.

"Green marker on every clip longer than five seconds"

It works out the clip lengths and drops a green marker on each one, a quick start on your selects.

"Add an opening title"

It adds a Text+ title, then looks at the frame to check its work.

"Punch in on this answer"

It sets the zoom on that clip, so a long answer gets some movement.

"Make a vertical copy for socials"

It makes a vertical copy of the whole timeline, ready to post, and your widescreen timeline stays as it was.

Tool Spotlight · DaVinci Resolve Studio
Filmit MCP, ask for the edit in Resolve
Free with a Filmit account (50 Filmit actions a day). One connector for DaVinci Resolve Studio, Premiere Pro and After Effects, set up in about a minute from the MCP tab in Filmit Studio.
See Filmit MCP →

How do you connect it?

Install the free Filmit Studio app, which adds Filmit Studio to Resolve. In Resolve, open Workspace, Workflow Integrations, Filmit Studio, go to the MCP tab and flip the switch. Then connect your AI app and sign in with your Filmit account:

  • Claude: click Connect next to Claude in the MCP tab. In Claude, click Browse connectors, search Filmit, pick Filmit.io and click Connect.
  • ChatGPT: add Filmit in ChatGPT using the connector address https://mcp.filmit.io/mcp, then sign in with Filmit (ChatGPT setup steps).

The full walkthrough is in the docs under Connect Claude (Filmit MCP), and our guide to using Claude in DaVinci Resolve shows a real two-camera cut. If the Resolve side of Filmit Studio is new to you, start with the Filmit Studio in DaVinci Resolve walkthrough.

What Resolve does not allow

Resolve gives add-ons less access than Premiere Pro and After Effects do, so some jobs still need your hands. The full list is in What Claude can do.

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No razor, effects or keyframes

Add-ons cannot split a clip in place, apply effects or transitions, set keyframes or change clip volume. Cutting a section out builds a new timeline instead.

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Punch-ins are static

Without keyframes, a punch in is a fixed zoom on the clip, not an animated push. Add the move yourself if you want one.

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No stacking on a busy track

A clip cannot be placed over another one. It goes on the next free track, and the AI tells you where.

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Keep the window open

Leave the Filmit Studio window open in Resolve while the AI works. Closing it ends the connection.

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Titles arrive in a bin

Text+ titles land as a compound clip in a Filmit Titles bin. Open it in Resolve to restyle the text.

Working in Adobe apps too? The same connector covers our Premiere Pro MCP guide and After Effects MCP guide, and ChatGPT users can start with using ChatGPT in Premiere Pro.

Frequently asked questions

An MCP (Model Context Protocol) connector for DaVinci Resolve gives an AI app like Claude or ChatGPT a set of real Resolve actions: reading the project and timeline, placing and removing clips, cutting sections out, setting zoom and position, colouring clips, adding markers and Text+ titles. Filmit MCP is one, with 22 Resolve actions.

No. Filmit Studio runs in Resolve as a workflow integration, and the free version of Resolve does not run workflow integrations. You need DaVinci Resolve Studio.

Yes. A free Filmit account includes 50 Filmit actions a day across Premiere Pro, After Effects and DaVinci Resolve. Filmit Pro removes the daily limit. Your AI app’s own plan is separate.

When it cuts a section out in Resolve, it builds a new timeline from the kept pieces and leaves your original as it was. For other changes, ask it to duplicate the timeline first and work on the copy.

No. Resolve does not let add-ons apply effects or transitions, set keyframes, change clip volume or split a clip in place, so the AI tells you when something needs a click from you. It can set static values like zoom, position, rotation, crop and opacity.

J
Written by
Jay · Filmit.io Customer Success Lead

Jay is the Customer Success Lead at Filmit.io. He helps editors and motion designers get more out of After Effects and Premiere Pro, with a focus on cutting the busywork out of everyday post-production.

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