Filmit comes to DaVinci Resolve.

GPU-accelerated CRT & retro display simulation, phosphor mask (shadow/grille/slot), scanlines, curvature, convergence, bloom, vignette.

GPU-accelerated VHS tape look, tracking, head-switch tear, chroma bleed, tape noise, dropout, warble, soft focus, colour fade, edge ring, plus REC/timecode/date/PLAY overlays.

T-800 red HUD vision, red overlay, scrolling scan data, and targeting readouts.

GPU-accelerated digital glitch & datamosh, auto-animating block displacement, RGB channel split, scanline tears, and macroblock corruption, with presets.

GPU-accelerated night-vision goggle look, low-light amplification, green tint, sensor grain, overexposed bloom, and a circular goggle vignette, with presets.

GPU-accelerated animated water-ripple refraction, concentric ripples emanate from drop points and distort the footage, with optional caustic highlights on the wave slopes, animating continuously over time.

A rolling camera tilt swings between two clips, like the horizon rotating through the cut.

A digital-glitch cut between two clips, RGB split, blocky displacement, and noise tear the frame apart and snap to the next shot.

A VHS-style cut, tracking tear, chroma bleed, and tape noise wipe through like a deck changing tapes.

A fluid melt between two clips, the outgoing shot liquefies and flows into the incoming one.

A whip-pan between two clips, a fast directional blur slings off the outgoing shot and snaps into the next.

A fast punch-in crash zoom blurs through the cut and lands hard on the next shot.